Ballet Spot at The Dance Spot teaches ballet in a safe and artistic manner to students of all ages and levels. We pride ourselves on being progressive and inclusive while honoring the roots of ballet.
Ballet Faculty 2020-2021
Ballet Class Etiquette
- Proper class attire (see Dress Code below)
- Respect for the teacher and fellow students
- Dancers should enter the studio quietly before class begins in order to prepare their minds and bodies for class.
- If a dancer arrives late, he/she will need to check into the office.
- No dancer can join class after the 15 minute (late) mark. If they arrive 15 minutes after class has started, they will have to sit out, take notes, and make up the class at a later date.
- No food, drinks (other than water in a self-sealing water bottle), or gum is allowed in the studio.
- No hanging, climbing, sitting or leaning on the barre(s).
- Do not use the barre as a hanging rack for clothes/bags.
- If you must leave early from class, please inform your instructor before class begins and politely dismiss yourself when needed.
- No talking during class, unless asking the instructor a question or responding to a question the instructor asked.
- Respect your classmates. If you don’t have anything nice to say, don’t say anything at all.
- If you are injured, inform your instructor before class begins. If you must sit out, bring a notebook and pen to take notes throughout the class. If a dancer chooses to sit due to injury, he/she will not be allowed to return to dancing in class until the doctor clears the dancer to rejoin the class (this is to prevent any further injuries).
- No combinations are “optional”
- Raise your hand to ask questions, and wait to be called on.
- Belongings will be stored off the floor during class, preferably in cubbies.
- All ballet classes will end with a reverence to show appreciation for the instructor and the knowledge that has been shared. Dancers will clap before exiting the studio to thank their instructor.
- Discipline will be demonstrated in both the application of technique and display of respectful behavior.
- Dancers will understand the importance of corrections and apply them.
- Dancers will keep a positive attitude toward their work and instructor.
Girls will wear color-coded leotards (dependent on ballet level), pink-footed tights (worn underneath the leotard), and pink ballet shoes. Sports bras may be worn under the leotard as long as they are not distracting (ie, no decorative straps across the back, bright colors/designs) and either the leotard color and shade or a tan sports bra with clear straps, to maintain the lines of the leotard. Boys will wear a white, fitted t-shirt with black leggings/joggers, white socks, and black ballet shoes.
Level 1 Grape – Level 2 Royal Blue – Level 3 Black Cherry – Level 4 Navy – Level 5 Black
Dancers are to wear their level ballet color to all ballet classes, even if they are stepping into a mixed level class or a lower level class (as makeup/extra class). This helps the instructors to be aware of the level of each individual dancer in the class, enabling them to give each dancer the best class possible.
TDS leotards are available for purchase through the front desk. Youth sized leotards are $25 each and adult-sized leotards are $30 each. If the leotard size is unavailable at the front desk, dancers will be asked to wear a solid color leotard to class until our stock is replenished.
Hair: Should be worn in a clean and neat bun, taking care to ensure that dancer’s hair is out of the face/eyes, is secure, and will not come undone in the middle of class. If hair is too short for a bun, please secure hair out of the face with headbands and bobby pins.
Jewelry: Only stud earrings will be allowed; no other jewelry should be worn. Watches, including smartwatches, are not permitted.
DRESS CODE VIOLATIONS (including incorrect leotard color)
1st offense – Dancer will be allowed to take class but will be sent home with a note
2nd offense – Dancer will be allowed to take class but will be sent home with a note, informing the parent(s) that the next violation will be marked as an absence.
3rd offense– Dancer will not be allowed to take class, and will be marked absent, but will still be asked to stay and observe class and take notes.
All violations will be tracked through their Studio Director account and will reset at the beginning of the fall semester each year.
Our ballet syllabus is designed to have clarity and distinction in regard to dancers’ training and progress through our ballet levels. The structure provided by the syllabus allows for a safe progression through ballet technique, ensuring that a student has the technical strength and clarity to conquer the movements of the next level. Each level listed in the syllabus will be building upon the criteria learned in all previous levels.
Due to the differing rate of maturity, talent, development, and strength, dancers will typically stay at each level for multiple years. A full copy of our ballet syllabus is available at the front desk for your viewing.
Focuses on the basic steps and ballet terminology. Dancers gain structure and learn combinations to improve memory. They should master the 5 positions of the feet and arms
Focuses on alignment and foot strength. Dancers will start to use their technique to coordinate simple movements and produce combinations of steps and quality of movement. Expressing precision and control within their range of physical capabilities. Master the positions of the body as well as the placement of the head.
Focusing on proper body alignment, Dancers will learn that their strength comes from the core to facilitate the movement of the legs and arms. They will learn to interpret the music and display this interpretation through their own dancing style. Dancers should also show a developing spatial awareness in groups as well as within themselves. They should master all 5 arabesque positions as well as the fixed points on a stage.
Dancers will be working toward furthering their technique and performance quality by demonstrating an increased range of movements with increasing length and complexity while maintaining a sense of style throughout.
Dancers will work through a wide range of movements striving for technical clarity as well as incorporating artistry and performance qualities to their dancing.
Full Level breakdowns will be handed out at the beginning of the year (fall), and available through your ballet instructor, upon request.
The required classes for each level vary and are intended to maintain the current level of the dancer. If the dancer wishes to progress further in ballet (move up in the levels), dancers should consider taking additional ballet classes or private lessons with one of the ballet instructors.
- Level 1: Minimum of 1 hour of Ballet per week
- Level 2: Minimum of 1.5 hours of Ballet per week
- Level 3: Minimum of 3 hours of Ballet per week, 2 – 1.5-hour classes
- Level 4 & Level 5: Minimum of 4-4.5 hours of Ballet per week: 2-3 (1.5 hours) Ballet classes, 3rd class (ONLY) can be substituted with Body Conditioning/Skill Building, Strong Body, or Pilates class
Absences in excess of 3 per class without make-up, per semester (Aug-Dec & Jan-May), can/will result in a dancer being moved to a lower level.
Students will be advised of their pointe/pre-pointe levels with the placement results in May. Pre-pointe is a select class for dancers who show great potential in gaining their pointe shoes. The goal of the class is to work closely with these dancers on skills listed in the syllabus to attain pointe shoes mid-way through the year. Consistent attendance and focus in class are essential in attaining this goal; excessive absences could result in the dancer being asked to leave the class. Once dancers receive their pointe shoes and complete half a year working at the barre, they will be invited to join pointe class. No student will be allowed to take a pointe/pre-pointe class without taking the (directly) preceding ballet class THAT DAY.
Students will be evaluated once a year to assess their progress in class. This evaluation will be done in December, in class, by their instructor to ensure each individual knows his/her strengths and weaknesses. They will receive feedback on their progress of select skills listed in the syllabus according to their level. This will allow dancers to focus on the skills that need improvement to achieve their goal by the end of the year in May. Dancers are eligible for level placement with this evaluation, but it is not guaranteed.
Students will be placed once a year to determine their level for the following year. Placements will occur in May, and will not be accompanied by specific feedback. Students will be assessed in class by their instructors, with the option to attend additional classes the week of placements to allow a panel of instructors to assess the dancer, and place them in the most appropriate level. If a dancer does not fulfill the requirements of the Ballet Program they will be placed in a lower level, despite skill level. Dancers are not able to nominate themselves for level placement at any point during the year, but if a dancer shows exceptional progress in his/her training Instructors have the opportunity to nominate dancers for level placement at any point throughout the year. At this time a select group of dancers will be invited to join the pre-pointe class for the following year (See Levels).
Nutcracker Winter Show
Ballet Spot is excited to announce that we will be putting on a production of the holiday classic, The Nutcracker!
The Nutcracker will showcase on Saturday, December 19th, at 5:30pm, at the Life Austin Outdoor Amphitheater (location confirmation TBD).
The Nutcracker will be done in place of the spring recital, allowing dancers to focus solely on technique in the spring, before placements in May. Ballet classes that are recital-based will be labeled with “Nutcracker”, indicating the class will be performing in our Nutcracker performance in December.
Dancers L3 and up are invited to audition for Principal/Soloist Roles on August 29th, from 12:30-2:30pm, at The Dance Spot. There are 8 principal/soloist roles to be cast. Dancers do not need to be en pointe to audition.
Dancers must be available for choreo weekend, on September 18-19th, to set their solos.
Youth American Grand Prix (YAGP) is the world’s largest network of dance. Their mission is to support and develop world-class dancers, ages 9-19, from around the world, by providing scholarship auditions, master classes, performance & educational opportunities, as well as connecting students and teachers from the globe.
Due to COVID-19, YAGP has not released information on what the 2021 season will look like. They are offering some online content, like master classes, with some fantastic instructors, if you are interested: check out this link for all of their Zoom Classes , and use this link to check out their FREE classes.
We will continue to monitor the status of the YAGP 2021 season and update you all as we are able.